Greig Leach

One of the downside of painting live, not knowing what is about to happen, is I can form a very incorrect opinion of what is going on in what I choose to paint. This is just such a case. I was intriqued that Alberto Bettiol (EF Education-EasyPost) has suddenly pulled the pin on his solo effort of the front of the large break away. He had built up a 20 second gap on those behind when he suddenly slowed up and joined in a conversation with one of the race motos. In the next post you will discover what the problem was. But for now, you can be just as curious about what is going on as I was when I painted this