Greig Leach

Contemporary figurative art created with oilsticks on paper, watercolors, stained glass and mixed media color based images of people, food, cycling and faith-based iconography

 
 
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  • Artist Statement
  • Figurative Works

  • Still Lifes and Food

  • Commissioned Artwork

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  • Garden Paintings

  • Criterium du Dauphine

  • Tour Down Under

  • Tour de France Femmes 2024

  • Tour de France 2024

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  • Tour de France & Tour de France Femmes 2023

  • Tour de France & Tour de France Femmes 2022

  • Tour de France 2016

  • 100th Giro d'Italia

  • Tour de France 2015

  • Summer Olympics

  • Three Dimensional Painting

  • Giro d Italia

  • Tour de France 2014

  • Tour of Britain

  • Dauphine 2014

  • Cycling Art Books

  • Doha 2016 UCI Road World Championships

  • Richmond 2015 UCI World Road Championship

  • Other Cycling Art

  • Professional Women's Cycling

  • Tour of California

  • Vuelta 2017

  • Bergen 2017 UCI Road World Championships

  • 101st Giro d'Italia

  • Tour de France 2018

  • Tour de France 2019

  • Yorkshire 2019

  • Paris Nice

  • 2020 Bike Racing Revised Season

  • Tour de France 2020

  • Spring Classics 2021

  • 2021 Tour de France

  • 2020 Summer Olympics

  • Flanders 2021

  • Winter Olympics 2022

  • Wollongong 2022, UCI Road World Championships

  • Vuelta a Espana 23

  • Cyclo-Cross

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Filming It All ToB60

Obviously, every stage, every kilometer of the Tour of Britain has been covered by TV cameramen. There are three TV Moto's with cameramen who film the race from the back of the motorcycles, sometimes at very high speeds and in all sorts of weather. Their work is augmented by stationary cameras along the course and at the finish line, as well as two helicopters who film from above. There is a move to get live camera feeds from the racers bicycles as well, but those didn't figure into this stage race. So standing up on the back of the motorcycle was the cameraman filming the break of Gabriel Cullaigh (Team GB), Jasper Bovenhuis (An Post Chain Reaction), Tom Stewart (Madison Genesis) and Taylor Phinney (BMC). This particular moment was captured by a stationary camera positioned near the finish line (or in this case the end of the fourth lap).
 

 

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